‘Twenty four days we lived as a nation … The only way I can describe [it] is that we were a nation.’
– Abdul Aziz Muhamat
The detention centre on Manus Island might be closed, but Aziz – and the vast majority of the men who were held there – remain on the island, living in three different centres.
By early 2019, Aziz is well into his sixth year, waiting. In that time, he’s felt free for only a few weeks – those few weeks when the immigration detention system disintegrated around him.
In this episode, The Messenger returns to late 2017, and the crucial period when Australia shut down the Manus Regional Processing Centre and the men refused to leave. We take you inside the centre as the standoff unfolds. There are no guards, no caseworkers, no immigration officials – and no food, water, medicine or electricity.
Aziz and his friends are in charge. How did they survive? And why did they stay?
A transcript of this episode is coming soon.
• ‘No Exit: The ongoing abuses of Australia’s refugee policy‘ by Michael Green, Harper’s Magazine, July 2018
In this episode
Abdul Aziz Muhamat
- Michael Green
- Behrouz Boochani
- Benham Satah
- Poli Boas
- Clarence Parisau
- Michael Kuweh
Our theme music was composed by Raya Slavin. Music used in this episode includes ‘Unrest’ by Adrian Klumpes, ‘La Mer’ by Pivot, ‘Southeast of Boston’ by June of 44, ‘Out with the Cold’ by Kaffe Matthews, ‘Rhodes Viola Multiple’ by Keith Fullerton Whitman, ‘1.3’by Piano Magic, ‘Passages’ by Bowery Electric, ‘Shine’ by Klara Lewis and ‘Iberia Eteria’ by Biosphere.
The Messenger is a co-production of Behind the Wire and the Wheeler Centre. It’s produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre.
Narration by Michael Green. With reporting by Abdul Aziz Muhamat. Transcription by Claire McGregor, Carolyn Turner, Tiarne Cook, Julia Earley and many more. This episode was edited and mixed by Michael Green and Jon Tjhia.
Dana Affleck, Angelica Neville, Camilla Chapman and Sienna Merope. Also to Behind the Wire’s many participants and volunteers. Michael Green’s travel to Papua New Guinea was supported by a grant from the Neilma Sidney Literary Travel Fund.