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Ceridwen Dovey: Fugitive Connections

Listen to Ceridwen Dovey: Fugitive Connections

In conversation with Abigail Ulman, Ceridwen Dovey talks about our human connections and failings, ideas of guilt and shame, the role of art in coming to terms with the past – and who has a right to bear witness. 

Photo of Abigail Ulman and Ceridwen Dovey talking on the Wheeler Centre stage – red chairs with white side tables, and black curtains with large silver Wheeler Centre logo displays against them

Abigail Ulman and Ceridwen Dovey — Photo: Jon Tjhia

Dovey is the author of the award-winning 2014 short story collection Only the Animals, and the novel Blood Kin. Lately, she’s also been making her mark as a regular essayist for the New Yorker and the Monthly.

In her highly anticipated second novel, In the Garden of the Fugitives, Dovey tells a spellbinding story of obsession, loss, repression and atonement. The narrative unfolds through a series of letters between Royce and Vita – an estranged benefactor and his protégé, each now trying to wriggle free from the astonishing weight of their histories.

Who?

Portrait of Ceridwen Dovey

Ceridwen Dovey

Ceridwen Dovey’s debut novel, Blood Kin, was published in 15 countries, shortlisted for the Dylan Thomas Award, and selected for the US National Book Foundation’s prestigious ‘5 Under 35’ honours list. The Wall Street Journal has named her as one of their ‘artists to watch.’ Her latest book of fiction is Only the Animals, described by the Guardian as a ‘dazzling, imagined history of humans’ relationship with animals.'

Portrait of Abigail Ulman

Abigail Ulman

Abigail Ulman is a writer from Melbourne. She is the recipient of a Wallace Stegner Fellowship in Fiction from Stanford University, and a winner of the Best Young Australian Novelist Award. Her debut short story collection Hot Little Hands has been published in Australia and abroad.

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