Jon Tjhia is the Wheeler Centre’s Senior Digital Editor.
He has worked on the Wheeler Centre's multimedia, editorial and digital projects since 2010, including #discuss, the short-form multimedia series Housekeeping, and long-form podcast series Better Off Dead and The Messenger, which won several awards. He's a co-editor and co-founder of the Australian Audio Guide, and has been a member of Audiocraft's 2017 programming committee, the 2018 New York Festivals Radio Awards Grand Jury and ABC RN's Ian Reed Foundation committee for audio fiction/drama.
Elsewhere, Jon produces the Paper Radio literary fiction and creative non-fiction podcast, makes the occasional radio thing, plays music with Speed Painters and has served on. In 2016, he was a top-ten finalist in Radiotopia's Podquest competition.
Better Off Dead was named Finalist at New York Festivals Radio Awards 2016. The Messenger was awarded the Grand Trophy and two Gold Medals at New York Festivals Radio Awards 2017; the 2017 UNAA Media Award for Best Radio Documentary; the 2017 Walkley Award for Radio/Audio Feature; and (with Behind the Wire's They Cannot Take the Sky), the 2017 Australian Human Rights Commission Media Award. It was also a finalist at the 2017 Quill Awards, and runner-up for the 2018 Whicker's Documentary Audio Recognition Award.
Previously, as a digital producer at ABC Radio Australia, Jon developed websites in seven languages, interviewed musicians from around the Pacific Islands, and provided multi-platform coverage of that region’s largest music festival, Fest'napuan. He’s occasionally involved in art and sound projects (including a collaborative residency in Wiluna, Western Australia, Eavesdropping at the Ian Potter Museum of Art, and the Soundhouse programme at London's Barbican Centre) and has presented, suggested and advised on sound design and audio storytelling at an armful of festivals, conferences and email threads.
He holds a BA (Cultural Studies) and MMm. The latter is an actual postnominal, although your cooking is very nice too.
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