Nearly 20 years ago, Aileen Moreton-Robinson’s pioneering work Talkin’ Up to the White Woman took a sledgehammer to the idea of a unified sisterhood serving the common good of all women. It was Australia’s first ever analysis of feminism from an Indigenous woman’s standpoint. So, how far have we come?
It’s a problem faced by women everywhere: against a backdrop of racism and colonial privilege, unexamined whiteness and systemic oppression, a dominant representation of feminism has prevailed. How do we un-whitewash our feminism?
Hosted by Jamila Rizvi.
This event will be Auslan interpreted.
Featuring
Aileen Moreton-Robinson
Distinguished Professor Aileen Moreton-Robinson is a Goenpul woman of the Quandamooka people (Moreton Bay) and is Professor of Indigenous Research at RMIT University. She was appointed as Australia’s first Indigenous Distinguished Professor in 2016 and was a founding member of the Native American and Indigenous Studies Association (NAISA). She is the author of Talkin’ Up to the White Woman: Indigenous Women and Feminism (UQP); The White Possessive: Property, Power and Indigenous Sovereignty (Minnesota Press); and the editor of several books, including Critical Indigenous Studies: Engagements in First World Locations (The University of Arizona Press). In 2020 she was appointed a member of the American Academy of Arts and Sciences, the first-ever Australian Indigenous scholar to be elected.
Fatima Bhutto
Intan Paramaditha
‘Identifying myself as a feminist writer is still important and still a political stance, but I need to be constantly aware of the implications, power relations, and more importantly, the responsibility that comes with it.’
Intan Paramaditha is a fiction writer and an academic. She holds a PhD from New York University and teaches Media and Film Studies at Macquarie University, Sydney. She is the author of a short story collection, Apple and Knife, and her upcoming novel, Gentayangan (The Wandering), received a PEN Translates Award from English PEN and PEN/Heim Translation Fund from PEN America.
Ruby Hamad
‘That the voices of Women of Colour are getting louder and more influential is a testament less to the accommodations made by the dominant white culture and more to their own grit in a society that implicitly – and sometimes explicitly – wants them to fail.’
Ruby Hamad is an author and PhD candidate in media studies and post-colonial studies at UNSW, where she is researching media criticism and coverage of Arabs and the Middle East. In 2018, Hamad’s Guardian article – ‘How White Women Use Strategic Tears to Silence Women of Colour’ – became a global flash point for debate around feminism’s intersection with racial and colonial oppression. Her new book is White Tears/Brown Scars.