‘You pass as a guy; I, as pregnant. Our waiter cheerfully tells us about his family, expresses delight in ours. On the surface, it may have seemed as though your body was becoming more and more “male”, mine, more and more “female”. But that’s not how it felt on the inside. On the inside, we were two human animals undergoing transformations beside each other, bearing each other loose witness. In other words, we were aging.’
For our second meeting of the Longform Society we’ll be looking at Maggie Nelson’s The Argonauts, an exhilarating, genre-defying work of feminism, queer theory and memoir. Strikingly original and immediately beloved, Nelson’s unique writing effortlessly moves between compelling literary criticism and memoir. Using selected extracts we’ll discuss her philosophical questions of queer family-making, art, literary history, sexual politics and more.
This event will be Auslan interpreted.
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Featuring
Sophie Cunningham
Sophie Cunningham is a non-fiction writer and novelist with a passion for trees, walking and broader environmental issues. Sophie’s most recent books are This Devastating Fever (Ultimo Press) and Flipper and Finnegan ...
Hannah McCann
Dr Hannah McCann is a Lecturer in Cultural Studies at the University of Melbourne. Her research is located within critical femininity studies and she writes on queer identity, beauty salons, queer fangirls, and more.
You can find her work in the Conversation, Feminartsy, and Overland, as well as journals including European Journal of Women’s Studies, Women’s Studies Quarterly, and Australian Feminist Studies.
Her monograph Queering Femininity: Sexuality, Feminism and the Politics of Presentation was published with Routledge in 2018. She is currently co-authoring a textbook with Dr Whitney Monaghan called Queer Theory Now: From Foundations to Queer Futures, with Macmillan Red Globe Press.
Quinn Eades
Quinn Eades is a researcher, writer, and poet whose work lies at the nexus of feminist and queer theories of the body, autobiography, and philosophy. Eades is published nationally and internationally, and is the author of all the beginnings: a queer autobiography of the body, and Rallying.
Eades is a Lecturer in Interdisciplinary Studies at La Trobe University, as well as the founding editor of Australia's only interdisciplinary, peer reviewed, gender, sexuality and diversity studies journal, Writing from Below. He is currently working on a collection of fragments written from the transitioning body, titled Transpositions.
In 2015 Quinn Eades changed his name and gender. Prior to 2015, he was writing and speaking as Karina Quinn.
Author photograph by Jamie James.
Onyx Carmine, Sarah-Jane Norman
Working under their legal name of Sarah-Jane Norman, Onyx Carmine has been hailed as one of the most challenging and rigorous Australian experimental artists of their generation. Over the course of their 13 year solo career, Onyx has created a diverse body of interdisciplinary work spanning durational, intimate and body-based performance, dance, installation, sculpture, text, sound and moving image.
Also an accomplished writer and editor, Onyx’s poetry, prose and ficto-critical work has seen publication in Meanjin, Overland, The Cultural Studies Review of Australia, Stylus and Realtime to name a few. They have placed in numerous awards including the Overland/Judith Wright Prize for Poetry and the The DJ (Dinny) O’Hearn Award. Their forthcoming short story collection is currently shortlisted for the inaugural Kill Your Darlings Unfinished Manuscript Award. They have also co-edited publications on Indigenous film are the co-editor and lead writer on a forthcoming publication on Indigenous Australian experimental art practice.
Born on Gadigal land of Wiradjuri, Wonnarua and Anglo-Celtic ancestry, Onyx has been based in Berlin since 2009. They currently divide their time between Berlin and un-ceded Wurundjeri land.