Sometimes, the best part of seeing a show is the conversation it sparks. Our series of ‘morning after’ breakfast events invites you to join a selection of writers, critics and arts lovers to dissect selected Melbourne Festival shows, sharing views on what worked, what didn’t – and why.
Each Morning After session will pair one or more of our creative writers with established critics to talk about what they’ve seen.
In this session, we talk about Minsk, 2011: A Reply to Kathy Acker, an urgent broadside on life in Belarus’s capital: a place where sexuality is twisted by oppression, and strip clubs, underground raves and gay pride parades pulse beneath the city’s surface. Minsk, 2011 is undaunted protest turned heart-wrenching confessional, produced by a theatre company in exile, banned from performing in its heartland.
Listen to the podcast (mp3 –25.2mb / 52:54).
Read our writers' reviews and join the discussion around Minsk, 2011 on this website.
Featuring
Michael Williams
Michael Williams is the editor of The Monthly. He was previously the Artistic Director of Sydney Writers’ Festival. He has spent the past decade at the Wheeler Centre for Books, Writing and Ideas in Melbourne as its ...
Cameron Woodhead
Cameron Woodhead is a senior theatre critic for the Age and is a prolific reviewer of performing arts in Australia.
At the age of 18, Cameron Woodhead wrote his first book reviews for the Age and Australian. Over 15 years as a freelance arts journalist and critic, he has contributed to a wide range of newspapers and magazines. He has been a theatre reviewer at the Age since 2004, and also writes a weekly books column.
Amanda Lohrey
Amanda Lohrey is the author of several acclaimed novels, including the award-winning Camille’s Bread, as well as Vertigo, The Philosopher’s Doll and The Morality of Gentlemen.
She has also written two Quarterly Essays, Groundswell and Voting for Jesus. Reading Madame Bovary, her first collection of short fiction, was published in September 2010 by Black Inc.