Our first ever event was a Debut Monday. Three years on, it’s still going strong, introducing new Australian talent each month.
Whether it’s meeting Australia’s latest wunderkind or hearing an unknown quantity strike a bold new path, Debut Mondays is your chance to discover your next favourite author.
You’ll meet a selection of new voices – from Victoria and beyond – each month, including a special guest in each session from Voiceworks magazine.
Pop down to The Moat, our resident cafe and bar, to grab a drink or a meal – and be nourished and entertained by the pick of our latest storytelling crop.
If you plan on making a night out of it, The MOAT offers a pre-event package from 5pm to 6pm: $20 for a meal and a glass of wine, or $15 for a pizza and a glass of wine or beer. Bookings essential; call (03) 9094 7820 or email info@themoat.com.au.
This month, we’ll hear from Graeme Simsion, Balli Kaur Jaswal, Kate Richards and Peter Dawncy.
Featuring
Graeme Simsion
Graeme Simsion is a Melbourne-based novelist and screenwriter. The Rosie Project and The Rosie Effect have combined global sales approaching five million copies.
Graeme is also the author of the international bestsellers The Best of Adam Sharp and – co-written with his wife, Anne Buist – Two Steps Forward. His screenplay for The Rosie Project is in development with Sony Pictures, The Best of Adam Sharp is in development with Toni Collette’s Vocab Films, and the rights to Two Steps Forward have been optioned by Fox Searchlight and Ellen DeGeneres.
Graeme’s latest book is the third and final Rosie novel, The Rosie Result.
Kate Richards
Kate Richards is a writer of fiction, narrative nonfiction and poetry. She has a medical degree with honours and works part-time in medical research in Melbourne. Kate is the author of the critically acclaimed Madness: a memoir and the Penguin Special Is there no place for me?
Peter Dawncy
Peter Dawncy lives in the Dandenong Ranges east of Melbourne. He has a Bachelor of Arts with majors in English and Philosophy from Monash University; he received first-class Honours in English in 2011 and is currently completing his Creative Writing PhD under scholarship at Monash.
Peter won the 2010 Monash Prize for Poetry and has been published in five editions of Voiceworks, three editions of Southerly, three editions of The Verge Anthology, and has also had writing appear in Mascara Literary Review, LINQ, Islet, Lot’s Wife, Studio and Positive Words. Peter is a fiction editor at Voiceworks and an editor of The 2013 Verge Anthology.