Sexism & feminism
The 2020 Stella Prize Winner in Conversation
The Stella Prize was founded to elevate the writing of Australian women with an annual, $50,000 literary prize. Now in its eighth year, it’s become a fixture of Australia’s literary culture – driving book sales, sparking book clubs and boosting the careers of many fine local writers.
In April, we'll host a conversation with Louise Swinn, chair of the 2020…
Women at the Edge
History and Beyond
Victoria’s north-eastern regions are rich with dramatic scenery – from the majestic Alpine ranges to the storied banks of the Murray River. Indigenous people have lived in the area for tens of thousands of years.
The land is home, first and foremost, to their stories and lore. Since colonisation, this region has been the backdrop, too, to many myths and…
The Wheeler Centre
Broadside: Who Gave You Permission? Speaking Up and Speaking Out
Michelle Law, Nayuka Gorrie, Raquel Willis, Ariel Levy and Curtis Sittenfeld at Broadside — Photo: Hannah Koelmeyer
When we’re described as ‘speaking out’, what people really mean is we’re ‘speaking out of turn’ – and that we do not have the authority to do so. Behaving well means accepting things as they are, and sticking your neck out if you’re not a white guy requires the knowledge that you may be seen as difficult, and unlikeable.
Many of us have to actively work at claiming the right to occupy space, jobs, or make noise that others simply take as their entitlement. Opposition and rebellion is necessary and invigorating, but bending the world until it breaks can come at a great personal cost, which is divided unevenly amongst us. So how do we blaze a trail without losing our own way?
Hosted by Michelle Law as part of Broadside 2019, Nayuka Gorrie, Raquel Willis, Ariel Levy and Curtis Sittenfeld discuss their voices and how their experiences have shaped their paths.
The Wheeler Centre
Broadside: Necessary Truths: Fatima Bhutto and Mona Eltahawy
Sisonke Msimang, Fatima Bhutto and Mona Eltahawy on stage at Melbourne Town Hall — Photo: Sophie Quick
'The role of artists is never to celebrate power.'Fatima Bhutto
There's a million reasons why we're told to keep quiet on difficult subjects: propriety and decorum, convention and status, fear of retribution. When women try to introduce nuance into certain public debates, it doesn't usually go well for them. Western media conglomerates are often more interested in protecting power than interrogating it. If a woman offers an unvarnished analysis of power structures, or a contrary view, it's often framed as ugly, inappropriate or ungrateful.
In this episode, recorded at the inaugural Broadside festival of feminist ideas, two of the world’s most fearless, most honest, most forthright voices – Fatima Bhutto and Mona Eltahawy – unpick the challenges and pitfalls of a life of truth. With host Sisonke Msimang, they discuss artistry, the west, power and biography.
The Wheeler Centre
Broadside: Rage Against the Machine: Feminism and Capitalism
The panel, from left to right: Santilla Chingaipe, Fatima Bhutto, Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow — Photo: Hannah Koelmeyer
What is feminism under capitalism? What is feminism without it?
'Art does become so very important – because it does help a community articulate a way of understanding the world that allows them to reimagine it, rather than reproducing it.'Tressie McMillan Cottom
Not all of us can afford to lean in, because some of us aren’t even in the room. We’re rightly galvanised by the fact that there are more CEOs at ASX200 companies in Australia named Andrew than there are women – but when did feminism become about earning power? Doesn’t it have to be anti-capitalist? Market ideas about success and failure seem like a shaky foundation for liberation for the 99% of women, so what does an uncommodified resistance look like?
In this conversation from Broadside 2019, hosted by Santilla Chingaipe, our panellists – Aminatou Sow, Fatima Bhutto, Jia Tolentino and Tressie McMillan Cottom – discuss she-EOs, 'ethical consumption', reimagining value and good ancestorship.
Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow on stage at Melbourne Town Hall — Photo: Hannah Koelmeyer
The Wheeler Centre
Broadside: Tressie McMillan Cottom
Tressie McMillan Cottom — Photo: Hannah Koelmeyer
'People really like to consume [black women] – our emotions, our cultural exchanges, the way we look, the way we speak, our experiences, our traumas. We do not have as much capacity for rendering visible our intellectual work … Can I evoke an emotional response from an audience? Publishers will want me to publish something that will be evocative, without being thought-provoking.'
With Thick, Tressie McMillan Cottom delivered a treatise on beauty, media, money, misogyny and race, a searing analysis animated by the ‘radical idea …[that] black women are rational and human’.
An award-winning sociologist, professor and author described as ‘transgressive, provocative, and brilliant’ by her Hear to Slay co-host Roxane Gay, McMillan Cottom works her way through politics, history, sociology and culture with critical dexterity and unapologetic force.
In this episode, recorded at the inaugural Broadside festival of feminist ideas, McMillan Cottom joins Aminatou Sow to discuss her work and career – including navigating academia, the publishing industry and addressing perceptions of how her work fits into various categories.
Anything and everything in Sexism & feminism from across our archives.
Palin’s Lessons from Shakespeare
Politicians say the dumbest things. Over at Slate they’ve compiled their favourite Palinisms, tweets, Facebook updates and other wit from former Vice Presidential hopeful, Sarah Palin.
And she’s got plenty to say. Even in a tweet of 140 characters she manages to reflect on feminism: “Who hijacked term:‘feminist’?A cackle of rads who want 2 crucify other women w/whom they disagree on a singular issue…
Wendy McCarthy on the Gains of Feminism
As part of our Intelligence Squared debate on feminism, Wendy McCarthy argues that the gains of feminism are not to be overlooked.
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