A World of Difference: Decolonising Feminism
Single session tickets are now available.
Nearly 20 years ago, Aileen Moreton-Robinson’s pioneering work Talkin’ Up to the White Woman took a sledgehammer to the idea of a unified sisterhood serving the common good of all women. It was Australia’s first ever analysis of feminism from an Indigenous woman’s standpoint. So, how far have we come?
It’s a problem faced by…
William Dalrymple: Corporate Violence and the East India Company
Historian William Dalrymple believes the stunning greed and violence of the militarised East India Company is ‘history’s most terrifying warning’ about unregulated corporate power, and the insidious means by which shareholders exert dangerous influence on the state.
Dalrymple – co-director of the Jaipur Literature Festival, and bestselling author of books including The Last Mughal, City of Djinns and Nine…
The Wheeler Centre
Mary Norris: From Comma Queen to Greek Geek
Copy editor and grammar nerd Mary Norris has seen the fabled linguistic traditions of the New Yorker up close – she has worked at the magazine for 40 years, most famously as query proofreader and Comma Queen. That experience forms the backbone of her first book, Between You & Me. ‘I hope writers will see that we are not the enemy,’ she has said of her profession. ‘We love the language.’
In her latest book, Greek to Me, Norris shares her love of all things Greek. Of course, it’s about language – how the Greeks adapted the Phoenician alphabet, and the surprising ways Greek informs English – but it also documents Norris’s encounters with Greek gods, wine, men, and olive groves. Myths are reinterpreted; landmarks are sought out; beautiful coincidences of word and symbol are excavated.
Mary Norris returned to Melbourne for a chat about her travels through Greek language, culture and art (and, of course, so much more) with Penny Modra.
Penny Modra and Mary Norris
The Fifth Estate
In the Closet of the Vatican: Power, Homosexuality, Hypocrisy
Sally Warhaft and Frédéric Martel
The Catholic Church, writes Frédéric Martel, is ‘a system built ... on the homosexual double life and on the most dizzying homophobia … Without this key for understanding, the recent history of the Vatican and the Roman Church remains opaque.'
How is Martel qualified to make such statements? He is an acclaimed academic and journalist in France, and the author of several widely translated books on contemporary culture and political science, including The Pink and the Black, On Culture in America and Global Gay. His latest book, In the Closet of the Vatican: Power, Homosexuality, Hypocrisy, is the result of four years worth of investigative journalism, including hundreds of interviews across many corners of the globe, in efforts to understand the scope and culture of homosexuality within the Catholic Church.
Many of his sources – including priests, cardinals, Vatican administrative staff and sex workers – have spoken to Martel about widespread clerical homosexuality under terms of anonymity. Their combined testimony paints a portrait of a bizarre culture of conspiracy and cover-up, with ramifications that extend way beyond the sexual identities of individual priests and into church policies on contraception, IVF and the handling of cases of sexual abuse.
The Vatican, as Martel describes it, is a place of surreal duplicity. But an investigation with mostly anonymous sources raises its own questions about double standards. Join Martel for a discussion of his remarkable book with Sally Warhaft.
The Fifth Estate
Masha Gessen is an award-winning author and a staff writer at The New Yorker. She speaks to Sally Warhaft about The Future is History: How Totalitarianism Reclaimed Russia, her non-fiction 2017 National Book Award-winning work that charts the coming-of-age of four Russians born in the early 1980s.
Masha Gessen and Sally Warhaft, live at Deakin Edge, Federation Square — Photo: Sophie Quick
Presented in partnership with Melbourne Writers Festival.
The Fifth Estate
Please note that this event will now take place at Deakin Edge, Federation Square.
Masha Gessen is an award-winning author and a staff writer at The New Yorker. She speaks to Sally Warhaft about The Future is History: How Totalitarianism Reclaimed Russia, her non-fiction 2017 National Book Award-winning work that charts the coming-of-age of four Russians born in…
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