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Podcast episodeCover image for of The Show of the Year 2019

The Wheeler Centre

The Show of the Year 2019  /  Australia

Content note: This podcast episode contains some strong language, and mentions violence and child sexual abuse.

As the decade turns, The Show of the Year marks 2019 in style – with host Casey Bennetto and a glittering line-up of writers, comedians and musicians. Paul Kelly, Nath Valvo, Alice Bishop, Sista Zai Zanda, Margot Morales Tanjutco, Laura Jean, Alice Gorman, Evelyn Araluen, The Merindas, Brodie Lancaster, Louise Milligan and Bill Shorten share their thoughts on subjects as various as the decommissioning of the Opportunity Rover on Mars, the Tigers' premiership run, the death of Toni Morrison, The Masked Singer and the closure of Uluru to tourists.

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What a year. Protests shook Hong Kong, the Amazon caught fire and children led a worldwide climate strike. Boris Johnson picked up the prime ministerial ball as it came loose from the back of the scrum, Scott Morrison baseball-capped his way back into government, and Trump impeachment talk turned to (some) action. 

We said goodbye to towering figures in literature and politics, including Toni Morrison, Bob Hawke, Les Murray, Clive James and Mary Oliver. And we farewelled meowing figures of the internet. (R.I.P. Grumpy Cat.)

There were the mandatory Big Cultural Moments, too: someone (no spoilers) finally won the Game of Thrones, Fleabag stormed the Emmys, and a Sydney real estate video went viral. Beyoncé came home, Fyre Festival blew up (again) and Lil Nas X shot to stardom via TikTok. Ah yes, how could we forget: TikTok.

Goodbye 2019 … we hardly knew ye! 

 
Podcast episodeCover image for of Thurston Moore in Conversation

The Wheeler Centre

Thurston Moore in Conversation  /  Music

Jacinta Parsons and Thurston Moore at Melbourne Convention and Exhibition Centre — Photo: Renee Coster

'For me the experimentation in Sonic Youth wasn’t so much the tunings, or the implementations of the guitars, or the noise, or the feedback. It was mostly about structure.'

Thurston Moore may be one of the most innovative, influential electric guitarists living today. With Sonic Youth, Moore and his bandmates connected America’s thriving experimental underground with the realm of punk, grunge and alternative rock – forging an unmistakable sound with their detuned, often dissonant and always loud guitars.

Within the band, and outside of it, Moore has kept a relentless schedule of performance, collaboration, recording and writing. A staple of New York City’s experimental art and music scenes, he’s worked with the likes of Yoko Ono, Merce Cunningham, Cecil Taylor, Rhys Chatham, Lydia Lunch, John Zorn, Beck, Takehisa Kosugi, Gus Van Sant, Glenn Branca and Bernie Sanders (yes – you read that correctly). Heavily influenced by the Beat poets, he’s edited music and literary fanzines, and published his own work through various imprints. He’s the founder and senior editor of Ecstatic Peace Library – who publish art books and records – as well as of the poetry imprint Flowers & Cream Press. He’s on faculty at the Jack Kerouac School of Disembodied Poetics at Naropa University.

Now based in London, Moore returned to Melbourne for MIFF – performing new scores to four short films by pivotal mid-century Ukrainian-American filmmaker Maya Deren. In conversation with Jacinta Parsons, he discusses his career in music and writing, and his latest foray into the world of cinema.

MIFF Talks presented by the Melbourne International Film Festival.

Anything and everything in Music from across our archives.

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