Marketing & publicity
The Wheeler Centre
Broadside: Rage Against the Machine: Feminism and Capitalism
The panel, from left to right: Santilla Chingaipe, Fatima Bhutto, Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow — Photo: Hannah Koelmeyer
What is feminism under capitalism? What is feminism without it?
'Art does become so very important – because it does help a community articulate a way of understanding the world that allows them to reimagine it, rather than reproducing it.'Tressie McMillan Cottom
Not all of us can afford to lean in, because some of us aren’t even in the room. We’re rightly galvanised by the fact that there are more CEOs at ASX200 companies in Australia named Andrew than there are women – but when did feminism become about earning power? Doesn’t it have to be anti-capitalist? Market ideas about success and failure seem like a shaky foundation for liberation for the 99% of women, so what does an uncommodified resistance look like?
In this conversation from Broadside 2019, hosted by Santilla Chingaipe, our panellists – Aminatou Sow, Fatima Bhutto, Jia Tolentino and Tressie McMillan Cottom – discuss She-EOs, 'ethical consumption', reimagining value and good ancestorship.
Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow on stage at Melbourne Town Hall — Photo: Hannah Koelmeyer
Mirror Mirror: Beauty, Body Image and the Self
Bri Lee's Beauty is a deeply personal treatise on body image, discipline and perfectionism. For this discussion, hosted by Lee herself, we'll take the essay as a jumping-off point for a broader conversation about beauty standards in the 21st Century.
Our panellists will consider the beauty lies we tell ourselves and each other, and explore the impossible standards amplified through…
The Wheeler Centre
Creative Complex: Art, Legacy and Accountability
Bhakthi Puvanenthiran, Shaad D'Souza, Ashleigh Wilson and Luke Carman at the Wheeler Centre
The idea of the eccentric, outrageous creative genius – the 'mad, bad and dangerous to know' artiste – has proved surprisingly durable over centuries.
It's a mythology that has insulated a certain type of artist from public censure over bad private behaviour. Lately, though, the mood is far less forgiving for artists who have caused serious harm and hurt in their personal lives. But as a re-setting of standards takes place, we're left with some wicked problems. As Ashleigh Wilson has written in his recent essay, On Artists: 'If we denounce the artist, then what do we do with the work? Once we start removing paintings from walls, where do we stop?'
At the Wheeler Centre, Wilson is joined by Luke Carman and Shaad D'Souza for a broad discussion about accountability and creative legacies, hosted by Bhakthi Puvanenthiran. They talk addiction, mental illness and cults of personality in the arts, as well as cancel culture and boycotts in the era of #metoo.
Who decides what qualifies as bad behaviour? Are we on a slippery slope of moral panic? And while individuals can make up their own minds about the art they enjoy in private, how should public institutions and media navigate this tricky terrain?
The Fifth Estate
Whitewash: Crops, Corruption and Cancer
Glyphosate is the most widely used weed-killer in the world. It’s the active ingredient in Roundup, the flagship agricultural herbicide sold by Monsanto, and it’s used in more than 130 countries including Australia. Glyphosate is in our parks, gardens, golf-courses and playgrounds. And it’s in our food and water.
Veteran investigative journalist Carey Gillam has spent decades exploring the links between…
How Do Writers Get Paid?
The past decade or so has seen incredible changes in how we read. New devices, platforms and marketplaces for books have risen and fallen, while traditional publishing houses and booksellers have adapted to suit readers’ changing habits and preferences. But how have things changed for authors? In the midst of all the upheaval, who’s looking out for them – and…
New News by the Centre for Advancing Journalism
Workshop: Professional Profiles
As a journalist or a writer, how can you use social media and networking to make your name and voice familiar to editors and readers? Jane Gilmore will guide you through building your professional profile – and making the most of your online presence as a professional writer.
New News is presented in partnership with the Centre for Advancing Journalism…
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Lunchbox / Soapbox
Adam Alter: Drunk Tank Pink: The subconscious forces that shape how we think, feel and behave
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