American-born journalist Megan K. Stack is an acclaimed author and war correspondent. She was Moscow bureau chief for the L.A. Times when she made the decision to work from home and look after her newborn child. As her growing family followed her husband’s work through China and India, Stack’s new life forced her to understand the economy of women’s work, and the inequalities that make it possible to exploit ‘poor women, brown women, migrant women’.

Megan Stack (left) and Sally Warhaft (right)

Stack’s memoir, Women’s Work: A Reckoning with Work and Home, undertakes a forthright and relentless examination of domestic labour, and the complexities of working parenthood – for herself and for the babysitters, cooks and cleaners which made her continuing career possible. She asks: ‘Why was it that, whatever you desired, you could find a poor woman to sell it?’

In conversation with Sally Warhaft at Bendigo Writers Festival, Megan K. Stack discusses the ethics, unexpected emotional shifts and negotiations of the household as a workplace.

Presented in partnership with Bendigo Writers Festival.

Mary Norris

Copy editor and grammar nerd Mary Norris has seen the fabled linguistic traditions of the New Yorker up close – she has worked at the magazine for 40 years, most famously as query proofreader and Comma Queen. That experience forms the backbone of her first book, Between You & Me. ‘I hope writers will see that we are not the enemy,’ she has said of her profession. ‘We love the language.’

In her latest book, Greek to Me, Norris shares her love of all things Greek. Of course, it’s about language – how the Greeks adapted the Phoenician alphabet, and the surprising ways Greek informs English – but it also documents Norris’s encounters with Greek gods, wine, men, and olive groves. Myths are reinterpreted; landmarks are sought out; beautiful coincidences of word and symbol are excavated.

Mary Norris returned to Melbourne for a chat about her travels through Greek language, culture and art (and, of course, so much more) with Penny Modra.

Penny Modra and Mary Norris