Journals & magazines
Mirror Mirror: Beauty, Body Image and the Self
Bri Lee's Beauty is a deeply personal treatise on body image, discipline and perfectionism. For this discussion, hosted by Lee herself, we'll take the essay as a jumping-off point for a broader conversation about beauty standards in the 21st Century.
Our panellists will consider the beauty lies we tell ourselves and each other, and explore the impossible standards amplified through…
Writing in Exile
‘As a Kurd, I was stateless until I became an Australian, and Australia is the only official home I have, because Kurdistan does not exist on a map.’
Journalist Roza Germian lived through war for most of her childhood. In 1991, when Germian was 10, she was one of more than one million Kurds who fled Saddam Hussein's Iraq following…
The Wheeler Centre
PEN Lecture: Fragile Minds
Journalism is at its second crossroads in two decades: not one of means, but of privilege. The loss of major revenues has made the press fragile, both economically and also in terms of self-reflection. At this year’s PEN Lecture, Schwartz Media editor-in-chief Erik Jensen will make the case for a serious reckoning across the profession; a re-evaluation of standards of ethics and objectivity.
‘I am asking for us to consider the impact of what we report and how we report it. I am saying the ethical bar we are clearing is not set high enough. Our code of ethics needs to be rewritten, and not by people who look like me.’
In 2019's PEN Lecture, Jensen asks how the media can change itself to keep up with a society that has already changed. Then, he joins Arnold Zable in conversation.
Presented in partnership with PEN Melbourne and PEN Sydney.
The Wheeler Centre
Susan Orlean: Stranger Than Non-fiction
Susan Orlean at the Athenaeum Theatre — Photo: Jon Tjhia
Susan Orlean writes, writes, writes. For readers of the New Yorker, she’s a must-read – a staff writer since 1992, now part of the furniture. She’s scattered a trail of bylines through Rolling Stone, the Village Voice, Boston Globe, Esquire, Vogue and more. The Spike Jonze film Adaptation was based on her bestselling book The Orchid Thief; Meryl Streep was nominated for an Oscar for her portrayal of the author.
At least part of Orlean’s charm lies in her genuinely omnivorous curiosity. ‘I’m perfectly happy knowing nothing about the subject,’ she explained in a Washington Post interview. ‘In fact, that’s usually much more appealing to me.’ Her features – and books – have covered umbrella inventors, orchid poachers, Twitter phenomenon @Horse_ebooks, backyard chickens. A ten-year-old boy. A German Shepherd that became a movie star. An obscure rock band called The Shaggs. Most recently, in The Library Book, she has written about the unsolved 1986 fire that engulfed the Los Angeles Public Library.
Over decades, she has taken readers into places their minds have never wandered – sometimes, to places right in front of them. For our Mayhem series, this giant of American non-fiction looks back on her legendary career, and its eclectic subjects, in conversation with Sarah Krasnostein.
PEN Lecture: Fragile Minds
Journalism is at its second crossroads in two decades: not one of means, but of privilege. The loss of major revenues has made the press fragile, both economically and also in terms of self-reflection. At this year’s PEN Lecture, Schwartz Media editor-in-chief Erik Jensen will make the case for a serious reckoning across the profession; a re-evaluation of standards of…
The Fifth Estate
Sally Warhaft and Jill Abramson on stage at the Athenaeum Theatre — Photo: Scott Limbrick
How should the media survive the current age? It’s a question that haunts the bones of many in the industry, and a through-line of Merchants of Truth, a bracing new account of American journalism’s moral crisis written by Jill Abramson.
A former executive editor of the New York Times, and a widely-respected media veteran, Abramson looks at fake news, click-bait and the commercial objectives of Facebook and Google. Her unflinching – sometimes bleak – investigations take readers to the front-line of the essential and existential decisions being made at the heart of four key outlets: Buzzfeed, VICE, the Times and the Washington Post. Against Facebook virality and Google’s algorithm, can hallowed principles of objectivity and impartiality survive?
The first woman to hold many of the senior roles she’s occupied, Abramson shares what she’s learned through her celebrated career. She also addresses the criticism and controversy surrounding the book: she has been accused of being dismissive towards young, digitally savvy journalists and their readerships’ interests, and of factual errors and plagiarism – charges which she refutes.
With host Sally Warhaft, join us for a fascinating and frank discussion with one of modern journalism’s most experienced figures, and an exploration into the future of media.
Anything and everything in Journals & magazines from across our archives.
New News by the Centre for Advancing Journalism
The Glossies: What’s happening to magazines in the digital age?
Paris Review promo video that makes dessert of the literary journal
The venerable literary journal the Paris Review has had something of a makeover and to celebrate they’ve put together a video preview of their latest edition that puts the hype in hyperactive. Galleycat speculates that the over the top voiceover from “an announcer that should be narrating monster truck shows”.
We’re also enjoying the South Park-inspired animation of Jonathan Franzen repeating the word…
The Great App Con
The first tablet was the iPad, right? Wrong. Developed in 1968, the first tablet was the Dynabook, and in some ways it was superior to the iPad. This is an excerpt from a piece by John Weldon on reading and tablet technology published on the Meanland website, an initiative on the future of reading co-auspiced by Overland and Meanjin literary journals.
“The iPad, in…
Lunchbox / Soapbox
Adam Smith: Where is the Love: Are Our Public Institutions Failing Our Young People?
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