Tyson Yunkaporta and Claire G. Coleman at the Wheeler Centre

Claire G. Coleman believes speculative fiction is a powerful political tool. ‘It’s a genre in which there’s great scope for Aboriginal literature … It’s able to sneak politics into places people don’t expect to see it.'

Coleman's revelatory 2017 debut novel, Terra Nullius, depicted an alternative Australia – a continent of either the distant past or the distant future – with an entire, brutal ‘future history’ constructed in meticulous detail. The novel received local and international critical acclaim and was shortlisted for the Stella Prize.

Every Aboriginal piece of literature is apocalyptic, because Aboriginal people are a post-apocalyptic people.

With Coleman's new book, The Old Lie, she returns to themes of invasion, dispossession and apocalypse. Again, it's a novel of startling and alarming twists. And again, it's an outstanding contribution to the growing body of superb speculative fiction from Aboriginal authors, also including Alexis Wright and Ellen van Neerven.

For this conversation, Coleman is joined by Tyson Yunkaporta, author of Sand Talk: How Indigenous Thinking Can Save the World. The pair discuss craft, creativity and Indigenous imaginations. Does speculative fiction have in-built critical mechanisms that especially serve Indigenous authors?

Dark, complex and utterly addictive, Veronica Roth's blockbuster dystopian YA novels have ensnared a generation of young readers. In Melbourne for the first time, this superstar of YA sci-fi talks fantasy worlds, fan fiction and unseen, fate-deciding forces with Amie Kaufman.

Photo: Scott Limbrick

Just 22 years old when she wrote the first book in her wildly successful Divergent trilogy, Roth has gone on to sell more than 35 million copies in the series. The Divergent movies have packed cinemas across the world, too – with fans obsessing over Roth's gutsy heroine, Tris, and her epic journey of courage, sacrifice and coming of age in post-apocalyptic Chicago.

With her latest series, Carve the Mark, Roth again presents a dystopian vision. This time, it's a richly imagined intergalactic setting – replete with tyrants, conspiracies, fascinating technology and a powerful, invisible phenomenon known as 'the current'.