Editing, publishing & book design
The Wheeler Centre
The Stella Prize in Conversation
Clare Wright and Alexis Wright — Photo: Jon Tjhia
In this talk, we hear from freshly-announced 2018 Stella Prize winner Alexis Wright in conversation with past winners Emily Bitto and Clare Wright, and host Toni Jordan. They talk about the impact the award has had on their writing, their careers and Australian literary culture.
In recent months, the stories of women – and with them, impediments to women’s media participation – have taken a pointed and particular prominence in mainstream culture, underpinning sustained social and political movements. One of many takeaways from those movements has been a widespread emphasis on how women might experience, and process, the world we all share.
Toni Jordan and Emily Bitto — Photo: Jon Tjhia
Now in its sixth year, the Stella Prize was founded to do just that – and to elevate the writing of Australian women with an annual, $50,000 literary prize. Spanning both fiction and non-fiction, the prize also runs year-round programmes encouraging recognition of Australian women’s writing. Its shortlist is a deserving fixture on any discerning reader’s calendar.
How Do Writers Get Paid?
The past decade or so has seen incredible changes in how we read. New devices, platforms and marketplaces for books have risen and fallen, while traditional publishing houses and booksellers have adapted to suit readers’ changing habits and preferences. But how have things changed for authors? In the midst of all the upheaval, who’s looking out for them – and…
The Wheeler Centre
Designing Books with Sandy Cull and Imogen Stubbs
Our Magic Hour (design by Imogen Stubbs, bottom centre) and Resurrection Bay (design by Sandy Cull, top centre)
As much as we're doing ebooks, it's still very much about the object.Imogen Stubbs
For this episode we brought two of Australia's best book designers together for a podcast-only conversation about their careers, their craft and how it all comes together.
Sandy Cull is a freelance book designer and a member of the Australian Book Design Hall of Fame, while Imogen Stubbs is an emerging designer and art director at Text Publishing. Coming at this conversation from different angles, they compare notes on the book design industry, the creative process and how they've worked with authors and publishers to create the perfect cover.
Working with Words: Meg Watson
Crikey associate editor Meg Watson on getting outside the literature bubble, discovering exciting new writing and assembling a panel to discuss '90s-era Leonardo DiCaprio.
Working with Words: Kimberley Thomson
Journalist, editor and publisher Kimberley Thomson on film structure, Greta Gerwig and the heroes of music journalism.
Anything and everything in Editing, publishing & book design from across our archives.
Lightning Source to Print-on-Demand in Melbourne
The print-on-demand options for Australian small publishers and authors looking to self-publish are set to broaden from the middle of the year. Print-on-demand specialist Lightning Source has announced that Melbourne will be the location of its fifth global facility. According to Wikipedia, the company, a subsidiary of Ingram Content Group, is the world’s leading provider of print-on-demand manufacturing and distributing services. A Lightning Source…
Booksellers and Readers Have Reason to Hope
(Click to watch video.)
It was standing room only at our recent Meanland event on future directions for books and bookshops. Chaired by incoming Meanjin editor Sally Heath and featuring presenters Chris Flynn, Corrie Perkin, Jo Case and Michael Webster, the discussion canvassed a wide array of anxieties and hopes for the future of books and the shops that sell them. Despite the rapid…
Costly Proofing Oversights
Our symphonies to Penguin Australia, who have had to pulp a cookbook because of a proofing oversight let a racially offensive term make it into print. The pulping of 7000 unsold copies of The Pasta Bible will cost the company about $20,000, according to the company’s head of publishing, Robert Sessions, who was quoted as being mystified that anyone could take offense to what…
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