They grow up so fast! This year marks significant birthdays for three celebrated works of Australian queer literature. Holding the Man, the memoir by Timothy Conigrave turns 20. Loaded, the first novel by Christos Tsiolkas turns 20, too. The Monkey’s Mask, the verse novel by Dorothy Porter, turns 21.
To mark these milestones, we’ll explore the cultural impact of these three works and discuss the evolution of queer literature in Australia in the years since. What’s changed? What hasn’t changed? And what’s coming next?
Find out with this conversation between Tommy Murphy, Christos Tsiolkas and Andrea Goldsmith. Hosted by Dr Quinn Eades.
One of Australia’s best loved novelists, Andrea Goldsmith has been shortlisted for the Miles Franklin Award. Her latest novel is The Memory Trap, winner of the 2015 Melbourne Prize.
Christos Tsiolkas is the author of the novels Loaded, The Jesus Man, Dead Europe, The Slap and Barracuda, as well as the short story collection, Merciless Gods. He co-authored Jump Cuts: An Autobiography with Sasha Soldatow. He wrote a monograph on Fred Schepisi’s The Devil’s Playground for the Australian Screen Classics series, and a monograph on Patrick White for the Writers on Writers series by Back Inc.
Tommy Murphy is the screenwriter and associate producer for the feature film of Holding the Man. His stage adaptation of Timothy Conigrave’s much-loved tragic romance memoir, has had productions every year since its premiere, including Melbourne (MTC), Sydney (Griffin, Belvoir, Sydney Opera House), Brisbane (Brisbane Powerhouse, La Boite), Adelaide (STCSA), Auckland, Los Angeles, San Francisco and London’s West End.
Quinn Eades is a researcher, writer, and poet whose work lies at the nexus of feminist and queer theories of the body, autobiography, and philosophy. Eades is published nationally and internationally, and is the author of all the beginnings: a queer autobiography of the body, and Rallying.
Eades is a Lecturer in Interdisciplinary Studies at La Trobe University, as well as the founding editor of Australia's only interdisciplinary, peer reviewed, gender, sexuality and diversity studies journal, Writing from Below. He is currently working on a collection of fragments written from the transitioning body, titled Transpositions.
In 2015 Quinn Eades changed his name and gender. Prior to 2015, he was writing and speaking as Karina Quinn.