Invasion of the Pod People
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Nate DiMeo is the voice – and producer – of The Memory Palace, a celebrated storytelling podcast about the past. In each short episode, DiMeo’s evocative, elegiac monologues reach back into history, returning with quiet magic; a flickering of something timeless.
More than many podcasts, The Memory Palace hinges on writing. ‘I'm just looking for some little fleck of something wonderful in the past,’ DiMeo has said of the process. ‘I latch onto that thing that moved me … We know the subject; what's the story? That's the part that takes forever.’
Based in Los Angeles, he’s recently been the Metropolitan Museum of Art’s artist in residence. Other recent writing projects include ghostwriting Pawnee: The Greatest Town in America with the Parks and Recreation writing team, several TV staff writing gigs and a novel in progress.
In a free event at Geelong Regional Library & Heritage Centre, Nate DiMeo will walk us through a handful of prompts which ultimately blossomed into Memory Palace stories – and discuss how he’s built a creative livelihood around his writing. Hosted by Jon Tjhia.
This event is part of The Creative Exchange, presented in partnership with Creative Victoria, the Wheeler Centre and Geelong Regional Libraries.
Nate DiMeo is the creator of The Memory Palace, a storytelling podcast about the past. He was the artist-in-residence at the Metropolitan Museum of Art, New York, in 2016–2017. He's been a finalist for both the Peabody Award for excellence in media and the Thurber Prize for American Humor. He's written for television, including the acclaimed comedy, Parks and Recreation. He's reported for National Public Radio in the US. A book collecting stories from The Memory Palace was recently released in translation in Brazil.
Jon Tjhia is the Wheeler Centre’s Senior Digital Editor.
He has worked on the Wheeler Centre's multimedia, editorial and digital projects since 2010, including #discuss, the short-form multimedia series Housekeeping, and long-form podcast series Better Off Dead and The Messenger, which won several awards. He's a co-editor and co-founder of the Australian Audio Guide, and a member of the 2018 New York Festivals Radio Awards Grand Jury and ABC RN's Ian Reed Foundation committee.
Elsewhere, Jon produces the Paper Radio literary fiction and creative non-fiction podcast, plays music with Speed Painters and has served on Audiocraft's 2017 programming committee. In 2016, he was a top-ten finalist in Radiotopia's Podquest competition.
In the last few years, podcasts have matured into the storytelling format du jour – with a little help from a certain sensationally popular true crime serial (ahem). Yet the surge of interest and excitement around audio features and podcasts has been gaining momentum for even longer, propelled by a diversity of formats.
Take the narrative artisanship of This American Life or the sonic vivacity of Radiolab; the topical deep dives of Slate’s Culture Gabfest or Phillip Adams’s Late Night Live; the animated storytelling of The Moth or Sum of All Parts; or the intimate conversations found in Death, Sex and Money or WTF with Marc Maron. The influence of these and countless other shows can be felt in today’s most interesting podcasts (insert shameless plug for the Wheeler Centre’s own successful forays into richly-produced feature-making, including Andrew Denton’s Better Off Dead, and The Messenger, here).
Beloved for their sense of proximity, their active listenership, portability and in some cases, ambitiously-crafted audio, podcasts have a unique ability to keep listeners in the company of their own choosing – and to render mundane tasks bearable. And since design show 99% Invisible’s record-breaking Kickstarter campaigns – podcasts have also shown promise in otherwise dim times for media businesses. What’s next for podcasting – and how could it be done better?
In celebration of all things audible, we’re bringing you some of podcasting’s best and brightest to share their thoughts and insights on the art (and business) of listening.