‘When a body moves, it's the most revealing thing,’ the great Mikhail Baryshnikov once said. ‘Dance for me a minute, and I'll tell you who you are.’
Some of us move like panthers. Some of us move like projectiles. Some of us move like north-easterly low-pressure systems. Maybe it's the revelatory possibilities of dance that make it such a thrilling, liberating – and even risky – activity. How do our early experiences with dance shape our ideas about our world and our place within it? And what role can dance play in a lifetime?
At Arts House in March, we’ll hear stories of first dances – from baby steps and blue-light discos to bridal waltzes and professional debuts. Through storytelling, music and movement, our incredible line-up of artists will vividly conjure all the elation, freedom and catastrophe of their first tentative dance-steps – and yours.
Presented in partnership with Arts House for Dance Massive.
Adolfo Aranjuez is editor of film and media periodical Metro and editor-in-chief of sexuality and gender magazine Archer. He is also a freelance writer, speaker and dancer. Adolfo’s nonfiction and poetry have appeared in Meanjin, Overland, Right Now, the Manila Review, Cordite and elsewhere, and he has worked with and performed for various organisations including the Melbourne Writers Festival, Midsumma, ABC TV and the Melbourne International Film Festival.
Ash Flanders is an award-winning writer and performer. As well as acting for other people and creating his own solo work, he runs DIY queer theatre outfit Sisters Grimm with Declan Greene.
Brodie Lancaster is a critic and editor based in Melbourne. From 2012 to 2017 she was the editor of Filmme Fatales, a print zine about the places where film and feminism intersect. She has contributed writing to publications including Rolling Stone, Pitchfork, Rookie and New York magazine. Her first book, a pop culture memoir called No Way! Okay, Fine was published by Hachette in 2017.
Danny Katz, Canadian-born, came to Australia at a young age. After failed careers as a musician, stand-up comedian and car washer, he finally turned to writing and became a newspaper columnist for the Age, the Sydney Morning Herald and the Western Australian.
He is also the author of S.C.U.M., Spit the Dummy, Little Lunch, and The Poppa Platoon series for children.
Working under their legal name of Sarah-Jane Norman, Onyx Carmine has been hailed as one of the most challenging and rigorous Australian experimental artists of their generation. Over the course of their 13 year solo career, Onyx has created a diverse body of interdisciplinary work spanning durational, intimate and body-based performance, dance, installation, sculpture, text, sound and moving image.
Also an accomplished writer and editor, Onyx’s poetry, prose and ficto-critical work has seen publication in Meanjin, Overland, The Cultural Studies Review of Australia, Stylus and Realtime to name a few. They have placed in numerous awards including the Overland/Judith Wright Prize for Poetry and the The DJ (Dinny) O’Hearn Award. Their forthcoming short story collection is currently shortlisted for the inaugural Kill Your Darlings Unfinished Manuscript Award. They have also co-edited publications on Indigenous film are the co-editor and lead writer on a forthcoming publication on Indigenous Australian experimental art practice.
Born on Gadigal land of Wiradjuri, Wonnarua and Anglo-Celtic ancestry, Onyx has been based in Berlin since 2009. They currently divide their time between Berlin and un-ceded Wurundjeri land.
wāni is a proud descendant of the Bashi peoples of Walungu, as well as the current Incarnation of the Afronaut. He spends his times teleporting through Universes and time-scapes navigating between dreams of becoming the fire-fist pirate king Hokage master of all four elements, and unfolding tales from a generation who quite honestly might be too good for this Universe.
This is a free event. Bookings are essential. We recommend arriving early to secure your seat. Read our ticketing FAQs here.Booked out