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Language demands that we put things in neat, normalised categories. Words like ‘fat’ become shorthand for unattractive or lazy. Labels like ‘black’ or ‘Asian’ are applied to people who may identify simply as Australian. Too often, we make assumptions about sexuality and gender based on how someone dresses, speaks or styles themselves.
But bodies resist being pigeonholed by language. Words don’t neatly define who we are: identities are usually messier, more complex – and ultimately, more interesting – than a snap judgement based on what our bodies communicate.
We’ll look at what the body can realistically tell us about identity, what we can’t assume – and the space in between. We’ll open a space for all different kinds of bodies – fat bodies, fit bodies, old bodies, diasporic bodies, even absent bodies – to communicate their true identities.
Join us to chew the fat and get the skinny on bodies, language and communication, in an event that mirrors The Malthouse’s Body/Language, the first chapter of its 2015 season.
Presented in partnership with Malthouse Theatre.
(Image: Kelli Jean Drinkwater. Photographer: Toby Burrows.)
Quinn Eades is a researcher, writer, and poet whose work lies at the nexus of feminist and queer theories of the body, autobiography, and philosophy. Eades is published nationally and internationally, and is the author of all the beginnings: a queer autobiography of the body, and Rallying.
Eades is a Lecturer in Interdisciplinary Studies at La Trobe University, as well as the founding editor of Australia's only interdisciplinary, peer reviewed, gender, sexuality and diversity studies journal, Writing from Below. He is currently working on a collection of fragments written from the transitioning body, titled Transpositions.
In 2015 Quinn Eades changed his name and gender. Prior to 2015, he was writing and speaking as Karina Quinn.
Kelli Jean Drinkwater is a filmmaker, artist and activist recognised internationally for her creative practice and voice in radical body politics. Kelli Jean uses the body as a site to explore themes of identity, queer and feminist theory and society’s obsession with 'perfection'. Often confrontational, her work aims to investigate the complex relationship we all have with our bodies.
Clementine Ford is a Melbourne-based writer, speaker and feminist thinker. She is a columnist for Fairfax’s Daily Life and is a regular contributor to the Age and Sydney Morning Herald. Through her twice-weekly columns for Daily Life, Clementine explores issues of gender inequality and pop culture. Fight Like a Girl is her first book.
Alice Pung is an award-winning Australian writer whose books include the bestselling memoirs Unpolished Gem (2006) and Her Father's Daughter (2011), and the novel Laurinda (2014). She is the editor of the anthology Growing Up Asian in Australia (2008), and created the Marly books for Penguin's Our Australian Girl series (2015). Her latest book is the novel One Hundred Days (2021).
Bodies and identity. Life and love in the post-digital era. Ancient rites of passage and modern-day customs.
In 2015, we’re presenting a series of events that respond to the guiding themes of the Malthouse Theatre’s three seasons: Body/Language, Post/Love, and Ritual/Extinction.
We’ll explore through big ideas, curly questions and varied experience, creating public conversations that probe the depths, take our cultural temperature and surf the zeitgeist. Get ready to dive in and swim around.