The F Word: Class
‘Knowing that things could be worse should not stop us from trying to make them better,’ Sheryl Sandberg has argued, while calling for women to fight for senior leadership positions in male-dominated industries. But does a focus on breaking glass ceilings and ‘leaning in’ come at a cost of passing over issues of class or downplaying the effects of economic inequality? Do advances at the top make it harder to see worsening inequality at the bottom?
In a country where the notion of a ‘classless society’ is part of popular myth, how can feminism address the specific challenges facing economically-disadvantaged women? Does mainstream feminism adequately respond to problems related to class, and how do the concerns of professional and working-class women differ?
In conversation with host Maxine Beneba Clarke, Anne Summers and Alice Pung will talk about feminism’s potency for lifters and leaners of a different kind.
Maxine Beneba Clarke is the ABIA and Indie award winning author of over nine books for adults and children, including the critically acclaimed short fiction collection Foreign Soil, the bestselling memoir The Hate Race, the Victorian Premier’s Award winning poetry collection Carrying the World, and the Boston Globe/Horn Prize winning picture book The Patchwork Bike, illustrated by Van T. Rudd.
Alice Pung is an award-winning Australian writer whose books include the bestselling memoirs Unpolished Gem (2006) and Her Father's Daughter (2011), and the novel Laurinda (2014). She is the editor of the anthology Growing Up Asian in Australia (2008), and created the Marly books for Penguin's Our Australian Girl series (2015). Her latest book is the novel One Hundred Days (2021).
Dr Anne Summers AO is a best-selling author, journalist and thought-leader with a long career in politics, the media, business and the non-government sector in Australia, Europe and the United States. She is author of nine books, including the classic Damned Whores and God's Police, Ducks on the Pond, The Lost Mother, and The Misogyny Factor.