The Art of Biography Writing
Biography writing can be a fraught, delicate business – from choosing a worthy subject to ensuring a life is interesting to the reader, a biographer often has to deal with difficult relatives, conflicting stories, and embittered rivals. Their subject may be dead – or worse, infuriatingly alive. And writing memoir and autobiography can have its own set of problems.
What choices does a writer make when faced with drastically differing versions of events? And how does a biographer decide which aspects of a life remain untold?
Janine Burke interviews Stephany Steggall, Maxine Beneba Clarke and Caroline Baum as they discuss the art, the attraction and the dangers of writing a life.
Janine Burke is an art historian, biographer, novelist and freelance curator.
Maxine Beneba Clarke is the author of six books, including the ABIA and Indie award-winning short fiction collection Foreign Soil (2014), and the critically acclaimed memoir The Hate Race (2016), which is currently being adapted for the Australian stage. Her poetry collection Carrying The World won the 2017 Victorian Premier's Literary Award for Poetry.
Stephany Evans Steggall has written biographies of Colin Thiele, Ivan Southall and Bruce Dawe, and she is the author of Status and Sugar, a history of the Australian Society of Authors. She holds a PhD in Australian Literature from the University of Queensland, and in 2013 was awarded the Hazel Rowley Fellowship for her recently-published memoir, Interestingly Enough: The Life of Tom Keneally (Nero, 2015).
Caroline Baum is a respected journalist and presenter. She has worked for the BBC, ABC, Time Life Books, Vogue magazine (UK and Australia), was the founding editor of Good Reading magazine and the editorial director of Booktopia.