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An episode of The Interrobang·Published on 20 Jan 2016

When is Australia racist? Questions of difference and fairness

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Australian racism is a slippery thing. We’ve seen it (at the football, on a bus with a singing French tourist, in select policies of successive governments, at anti-something protests). We know it exists. But as a nation – a deeply multicultural one, arguably defined by migration – we haven’t progressed to a realistic understanding of who we are, what that means and what we thus expect of ourselves and each other.

The panel: Benjamin Law, Voranai Vanijaka, Nakkiah Lui, Gregory Phillips and Abdul Abdullah

The panel: Benjamin Law, Voranai Vanijaka, Nakkiah Lui, Gregory Phillips and Abdul Abdullah

When is Australia racist? Questions of difference and fairness

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How do we distinguish our ideals from the real world? Is mainstream Australian – whatever that means – capable of living up to its own myths? Let’s not let subcultures off the hook, either. What draws our meanest impulses out of hiding? When do we laugh about our differences … and when do they come to define us?

With artist Abdul Abdullah, writer and comedian Nakkiah Lui, Aboriginal health expert Gregory Phillips, journalist and political commentator Voranai Vanijaka and Gaysia author Benjamin Law, we’ll explore Australian equality on a number of fronts: representation, social support, sex and decision-making. Our panellists consider what it might take to achieve a culture that reflects a true picture of Australia back to itself – and what we’d be losing if we didn’t.

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Who?

Portrait of Benjamin Law

Benjamin Law

Benjamin Law writes books, TV screenplays, columns, essays and feature journalism. He’s the author of the memoir The Family Law (2010), the travel book Gaysia: Adventures in the Queer East (2012) – both nominated for Australian Book Industry Awards – and the Quarterly Essay on Safe Schools, Moral Panic 101 (2017). The Family Law is now also an award-winning TV series for SBS, which Benjamin created and co-writes.

Portrait of Voranai Vanijaka

Voranai Vanijaka

Voranai Vanijaka is the editor in chief of GQ Thailand. He teaches political communication and intercultural communication at Thammasat University. From 2008 to May 2014, he was a political commentator with the Bangkok Post newspaper. 


Portrait of Nakkiah Lui

Nakkiah Lui

Nakkiah Lui is a writer/actor and Gamillaroi/Torres Strait Islander woman. She is a co-writer and star of ABC's Black Comedy. She has been an artist in residence at Griffin Theatre Company (2013) and was playwright in residence at Belvoir Theatre from 2012–14. In 2012, Nakkiah was the first recipient of The Dreaming Award from The Aboriginal and Torres Strait Island Arts Board of the Australia Council. The same year, Nakkiah was also the inaugural recipient of the Balnaves Foundation Indigenous Playwright Award. In 2014, Nakkiah was the recipient of the Malcolm Robertson Prize and a Green Room Award for Best Independent Production. Most recently Nakkiah won the NSW Premier’s Literary Award 2018, Nick Enright Prize for Playwriting for Black is the New White. 

Portrait of Gregory Phillips

Gregory Phillips

Gregory Phillips is from the Waanyi and Jaru peoples, and comes from Cloncurry and Mount Isa. He is a medical anthropologist, with thirty years’ experience in leading change in cultural safety, healing and decolonisation.
Gregory is Chief Executive Officer of ABSTARR Consulting, is a Professor of First People’s Health, and serves on several boards and committees, including chairing the Ebony Institute, the Cathy Freeman Foundation and AHPRA’s Aboriginal and Torres Strait Islander health strategy group.

Portrait of Abdul Abdullah

Abdul Abdullah

Abdul Abdullah is an artist from Perth, currently based in Sydney, who works across painting, photography, video, installation and performance. As a self described ‘outsider amongst outsiders’, his practice is primarily concerned with the experience of the ‘other’ in society. Abdullah’s projects have engaged with different marginalised minority groups and he is particularly interested in the experience of young Muslims in the contemporary multicultural Australian context. Through these processes and explorations Abdullah extrapolates this outlook to an examination of universal aspects of human nature.  

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