Hallucinatory, chaotic and confronting, Allen Ginsberg’s 1955 poem Howl sits with On the Road by Jack Kerouac and Naked Lunch by William S. Burroughs at the very centre of the Beat literary canon.
With its wild, visceral depictions of sex, drugs and madness, Ginsberg’s poem is perhaps as famous for the obscenity trial that followed its publication as for its disturbing and much-parodied opening lines. Like the other Beat writers, Ginsberg was influenced by jazz music and aimed to capture in his writing something of the rhythms, spontaneity and subversive undercurrents inherent in jazz traditions.
Filmed live at The Toff in Town, Maxine Beneba Clarke reads Howl to modern music by jazz composer Darrin Archer. Archer’s composition, called Drunken Taxicabs of Absolute Reality: Howl to Music, features a seven-piece jazz band and aims to create a sonic landscape that accompanies and interacts with Ginsberg’s seminal poem.
Ginsberg himself described Howl as a ‘tragic custard-pie of wild phrasing’. Tune in to Archer and Beneba Clarke as they bring that wild phrasing to life, more than 60 years after Ginsberg’s first reading.
Maxine Beneba Clarke is a widely published Australian writer of Afro-Caribbean descent. Maxine's short fiction, non-fiction and poetry have been published in numerous publications including Overland, the Age, Meanjin, the Saturday Paper and the Big Issue. Her critically acclaimed short fiction collection Foreign Soil won the ABIA for Literary Fiction Book of the Year 2015 and the 2015 Indie Book Award for Debut Fiction, and was shortlisted for the Matt Richell Award for New Writing at the 2015 ABIAs and the 2015 Stella Prize. She was also named as one of the Sydney Morning Herald's Best Young Novelists for 2015.
Darrin Archer studied Composition and Theory at Latrobe University, and Jazz Piano at The Sydney Conservatorium of Music. Since then, he has been performing in Sydney and Melbourne with various bands, touring, recording, composing and teaching.