Alexander Chee: How To Write An Autobiographical Novel

Alexander Chee: How To Write An Autobiographical Novel

‘Novels are accidents at their start,’ Alexander Chee has written. What causes these productive accidents? Who do they happen to? And what do novels become next?

Chee, the author of two masterful, award-winning novels – and a distinguished teacher, essayist and critic – has given a lot of thought to these questions. His acclaimed, reflexive autobiographical first novel, Edinburghwas about a Korean-American boy from Maine. His second book, The Queen of the Nightwas a radical departure – about a 19th-century opera singer in France.

His third book, How To Write An Autobiographical Novel, is a work of memoir – a collection of engrossing essays about Chee’s own life and about the mysterious alchemy behind full-length works of fiction. These essays describe episodes from the author’s own life, from the traumatic childhood events that fed directly into the writing of Edinburghto his AIDS activism in the nineties and his time at Iowa Writers’ Workshop. It’s a profound, enigmatic and charming book; a highly distinctive reflection on memory, identity and creativity.

A revered ‘writer’s writer’, a tireless champion of other authors, and a blazing talent in his own right, Chee talks writing and life at the Athenaeum Theatre with Leah Jing McIntosh as part of our Mayhem series.

Who?

Portrait of Alexander Chee

Alexander Chee

Alexander Chee is the bestselling author of the novels The Queen of the Night and Edinburgh. He is a contributing editor at the New Republic, an editor at large at Virginia Quarterly Review, and a critic at large at the Los Angeles Times. His work has appeared in The Best American Essays 2016, The New York Times Magazine, Slate, Guernica, and Tin House, among others. He is an Associate Professor of English at Dartmouth College. 

Portrait of Leah Jing McIntosh

Leah Jing McIntosh

Leah Jing McIntosh is a writer and photographer. In 2016, she founded Liminal magazine, a space for the exploration of the Asian-Australian experience. In 2019, she is launching the Liminal Fiction Prize for Australian Writers of Colour.

Her essays and fiction have appeared in the Saturday Paper, the Lifted Brow, Swampland, and Archer. Recently, she was awarded a Wheeler Centre Hot Desk Fellowship, and has completed the FCAC Emerging Cultural Leaders program. She is a 2019 Victorian Nominee for Young Australian of the Year.