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1.4 Billion People in Poverty. Now That Everyone’s an Artist, and Everyone’s a Journalist – Who Will Tell Their Stories?

When

Event Status

The Breakfast Club is a series of talks events, presented in partnership with the Next Wave Festival, and held at breakfast time: on weekdays at 8am, on weekends at 10am.

We’re interested in how the world and art collide. In a time of intense political confusion, it’s hard to articulate the changes so many want to see. Artistic practice, with its complex arsenal of the subconscious, is well placed to be a key player.

We’re not interested in expert-led formats; we want big opinions, good discussion and
personal stories. And coffee (that’s important).

Each event runs for two hours, and will be punctuated by a series of provocations from artists, key thinkers and our international curators-in-residence.

Arrive at any point. Pull up a chair and a croissant. And dive on in.

We all know something about poverty – its hardship, misery and human toll. In a world where we are saturated with images of the poor and starving, how can we start to see poverty in a way that is meaningful, comprehensive and sensitive to the subject? Does art have a role to play here? With a video camera in every pocket we are increasingly savvy to the way we communicate difficult social issues. So who will rise to the challenge?

Hosted by Director, Format Festival/Renew Adelaide: Ianto Ware

Next Wave artists: Alison Currie and Kel Mocilnik (In pursuit of repetition), Tiffany Singh (Drums between the bells), Ben Kolaitis (Creo Nova)

International speaker: Andy Field (Forest Fringe)

Guest speakers: Hugo Lamb (Oaktree Foundation)

With Oaktree Foundation.

Location

The Wheeler Centre

176 Little Lonsdale Street Melbourne Victoria 3000

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The Wheeler Centre acknowledges the Wurundjeri Woi Wurrung people of the Kulin Nation as the Traditional Owners of the land on which the Centre stands. We acknowledge and pay our respects to all Aboriginal and Torres Strait Islander peoples and their Elders, past and present, as the custodians of the world’s oldest continuous living culture.