Critical Failure: Film

Critical Failure: Film

Have our film critics lost their way or merely their page space? And how should we be reviewing - and making - films in Australia?

In a discussion led by Peter Mares, critics Adrian Martin, Mel Campbell and Fenella Kernebone and filmmaker Gillian Armstrong interrogate the place of the film critic in our cultural landscape. Together they address where reviewing ends and criticism begins, the influence of commerce and readership, the particular roles that online publishing can play, and how we can move towards a robust critical culture that rewards audiences and filmmakers alike.


Watch other Critical Failure events

Book Criticism
Visual Arts Criticism
Theatre Criticism

Who?

Portrait of Gillian Armstrong

Gillian Armstrong

Gillian Armstrong is one of Australia’s most successful directors with credits including My Brilliant Career and The Last Days of Chez Nous.

Portrait of Mel Campbell

Mel Campbell

Mel Campbell is a Melbourne-based freelance journalist, film and TV critic, and co-host of the fortnightly literature and culture podcast The Rereaders. Her first book was the non-fiction investigation Out of Shape: Debunking Myths about Fashion and Fit, and she’s the co-author of romantic comedy novel The Hot Guy due to be published in 2017.

Portrait of Fenella Kernebone

Fenella Kernebone

Fenella Kernebone is the host of ABC TV’s new weekly half hour arts show, Art Nation.

Portrait of Peter Mares

Peter Mares

Peter Mares is an independent writer and researcher. He is a contributing editor for online magazine Inside Story and a senior moderator with The Cranlana Programme. Peter was a broadcaster with the ABC for twenty-five years, serving as a foreign correspondent based in Hanoi and presenting national radio programs. His latest book is Not Quite Australian: How Temporary Migration Is Changing the Nation. 

Portrait of Adrian Martin

Adrian Martin

Since 1979, Dr. Adrian Martin has combined work as a professional writer and film critic with a university career.

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